- Rendering and previewing sequences

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How to Render and Export using Adobe Premiere Pro CC | ProfileTree.Configure preference settings in Premiere Pro

 

The following effects cannot be rendered: Intrinsic Opacity and Time Remapping effects Transition effects between clips Audio effects. Rendered effects cannot be moved or edited in the Effects Control panel. Click OK. The rendered file is created in the selected destination. Replace rendered clips with original media. Can you render effects while rendering and replacing video clips? Can you render and replace audio in AV clips?

Can you render still images? No, but you can render image sequences. What are the types of clips that you can render and replace? You can render and replace most of the clips including After Effects compositions except for the following: Special clips or synthetics Nested sequences Adjustment layers.

Sign in to your account. Sign in. By default, this preference is enabled. If you want H. This option is dimmed if your system does not support this feature. For more information, see Hardware acceleration system requirements. The Media Cache is where Premiere Pro stores accelerator files, including peak files. Premiere Pro. Clearing old or unused media cache files can help maintain optimal performance.

Deleted cache files are recreated whenever source media requires them. In the Memory pane of the Preferences dialog box, you can specify the amount of RAM reserved for other applications, and for Premiere Pro.

Some sequences, such as those containing high-resolution source video or still images, require large amounts of memory for the simultaneous rendering of multiple frames. In these cases, you can maximize the available memory by changing the Optimize Rendering For preference from Performance to Memory. Change this preference back to Performance when rendering no longer requires memory optimization.

In the Playback pane of the Preferences dialog box, you can select the default player for audio or video, and set preroll and postroll preferences. You can also access device settings for third-party capture cards. You can choose the default player for your computer, or a third-party plug-in player for Premiere Pro. Third-party players are installed with some capture cards.

Preroll: The number of seconds before an edit point when playing back footage for several editing functions. Postroll: The number of seconds after an edit point when playing back footage for several editing functions. The default is set to ten frames. Pause Media Encoder queue during playback: Pauses the encoding queue in Adobe Media Encoder when you are playing back a sequence or a project in Premiere Pro.

If a third-party capture card is installed, click the Settings button to access the Mercury Transmit dialog box for video formats, and pixel formats. A check box is available for disabling video output when in the background. When you work with Premiere Pro on multiple machines, managing and syncing preferences, presets, and libraries between them can be time-consuming, complex, and error prone.

The new Sync Settings feature lets you sync your general preferences, keyboard shortcuts, presets, and libraries to the Creative Cloud. For more information, see Sync Settings in Premiere Pro. When a sequence is longer than the visible timeline, you can select from different options to auto-scroll the timeline during playback. You can choose vertical or horizontal scrolling. By default, mouse scrolling is horizontal for Windows and vertical for Mac OS.

For Windows, press the Ctrl key to switch to vertical scrolling. Defines the type of track in which the clip audio channels are presented when a clip is added to a sequence—Mono, Stereo, 5. Premiere Pro imports and renders each of these track types in the source format if you select the Use File option or converted to another track format if you select one of the track types other than Use File.

The following list describes the compatibility between tracks and clip types:. The following definitions describe how each track type is interpreted in Premiere Pro and presented when dropped into a sequence:. Lets you specify how mono files must be interpreted inside Premiere Pro. The mapping works as follows:.

Stereo Media. Lets you specify how files that are inherently stereo must be interpreted in Premiere Pro. Here are the possibilities:. Multichannel Mono Media. Lets you specify how files that have N discrete channels are interpreted inside PPro. The options are:. Select this preference if you want the timeline to be active, not the Source Monitor, after you make an edit.

With snapping turned on, moving the playhead in the timeline, makes the playhead snap or jump to an edit directly. For example, you can align the playhead to a specific marker with snapping enabled. Use this option to control what happens when you are at the end of a sequence and you restart playback. If this option is not selected, Premiere Pro stops. If you select this option, Premiere Pro jumps back to the beginning.

Displays out-of-sync indicators for audio and video when they are unlinked and moved out of sync. If you want Premiere Pro to play the whole project from the beginning after rendering, select this preference. When you drag a clip into a sequence, Premiere Pro detects if the attributes of the clip match the sequence settings. If the attributes do not match, the Show Clip Mismatch Warning dialog box appears. The Fit Clip dialog lets you choose the In and Out points to use.

Select this preference to let Premiere Pro remember your choice and not display the Fit Clip dialog box every time. When you enable this option, Premiere Pro opens the master clip in the Source Monitor and adds a point at the current time indicator playhead instead of showing the clip in and out points. Clicking one of these buttons moves a trim point earlier or later. In the Trim pane of the Preferences dialog box, you can specify the number of frames that the Large Trim Offset buttons move trim points.

To learn more. Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. You can release the Alt key or Option key when the splash screen appears.

This FAQ on Adobe forums summarizes what the red or yellow bar might mean in a sequence. Drag the work area bar over the section you want to preview. Make sure that you drag the work area bar from its textured center; otherwise you cue the playhead instead. Drag the work area markers at either end of the work area bar to specify the beginning and end of the work area. Double-click the work area bar to resize it to either the width of the time ruler, or the length of the entire sequence, whichever is shorter.

To define the whole sequence as the work area, the whole sequence must be visible in the Timeline panel. When setting the work area bar to define an area for rendering, corresponding options appear in the Sequence menu: Render Effects in Work Area, and Render Entire Work Area. These options will not appear in the Sequence menu if the work area bar is not enabled.

Position the pointer over the work area bar to display a tool tip that shows the work area bar's start timecode, end timecode, and duration. These options will not appear in the Sequence menu if the work area bar is enabled. You can render any part of a sequence that falls under a red render bar. You can also define a section of the sequence you want to render by setting In and Out points.

Render Effects In to Out. Renders the sections of the video tracks lying within the In and Out points containing a red render bar. Alternatively, press Enter. Render In to Out. Renders the sections of the video tracks lying within the In and Out points containing either a red render bar or a yellow render bar. Render Audio. You can set Premiere Pro to render the audio tracks whenever you render the video tracks.

For more information, see Render audio when rendering video. To maximize the quality of motion in rendered preview files, check the Maximum Render Quality option in Sequence Settings. For more information, see Settings.

However, playback may suffer when the data throughput of your disk drive cannot sustain the flow when mixing multiple channels of audio and audio in a complex sequence. You can change this default so that Premiere Pro automatically renders audio previews whenever it renders video previews. When you render previews, Premiere Pro creates files on your hard disk. These preview files contain the results of any effects that Premiere Pro processed during a preview.

If you preview the same work area more than once without making any changes, Premiere Pro instantly plays back the preview files instead of processing the sequence again. Premiere Pro stores the preview files in a folder you can specify. Similarly, preview files can save time when you export the final video program by using the processed effects already stored.

Adobe Media Encoder does not automatically use Premiere Pro preview files for encoding. To make use of the Premiere Pro preview files, you must select the Use Previews option in Adobe Media Encoder for each encoding process. Find and replace text in your transcription. Type in the search term in the Search text field. Premiere Pro highlights all instances of the search term in the transcription.

Use the up and down arrows to navigate through all instances of the search term. Click the Replace icon and type in a replacement text.

To replace only a selected instance of the search term, click Replace. To replace all instances of the search term, click Replace All. Other transcription options. Re-transcribe sequence - You might choose to do this, for example, if you decide to change your edit. Export transcript - Use this option to create a. Import transcript - Use this option, for example, in collaborative workflows, when you have a final edit and the transcription has been generated by another user.

Display pauses as [ Export to text file - Use this option to create a. Disable auto-scrolling - Select this option if you want to keep a section of the transcript visible in the Text panel, while scrubbing or playing the sequence in the timeline. Click Create Captions. Create from sequence transcript: This is the default option for when you want to create captions using the sequence transcript. Create blank track: Use this option if you want to manually add captions or import an existing.

Caption preset : The Subtitle Default option is suitable for the majority of use cases. Format : Select the type of caption format you want for your video. Subtitle is suitable for most use cases. Stream : Some of the caption formats such as Teletext have different broadcast streams, which you can then specify.

Style : If you have saved any caption styles, you can choose them here. Length, duration, and gap between captions: These options set the maximum number of characters and minimum duration of seconds for each line of caption text.

You can also specify gaps between captions. Lines : Choose if you want your caption in a single line or wrap into two lines. Caption options.

Click Create.